Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Ludolf Backhuysen
Ships on the Zuiderzee before the Fort of Naarden

ID: 66074

Ludolf Backhuysen Ships on the Zuiderzee before the Fort of Naarden
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Ludolf Backhuysen Ships on the Zuiderzee before the Fort of Naarden


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Ludolf Backhuysen

b.Dec. 18, 1631, Emden, East Frisia [Germany] d.Nov. 17, 1708, Amsterdam, Neth. Dutch Ludolf Backhuysen Gallery   Related Paintings of Ludolf Backhuysen :. | Detail of THe Eendracht and a Fleet of Dutch Men-of-War | Ships Running Aground | The Y at Amsterdam viewed from Mussel Pier | Backhuysen | Seascape with Ships |
Related Artists:
CAVALLINI, Pietro
Italian Gothic Era Painter, ca.1250-1330 Italian painter and mosaicist active mainly in Rome. His major surviving works are mosaics depicting scenes from the life of the Virgin for the Roman church of Santa Maria in Trastevere (1290s) and fragments of a fresco cycle, including a Last Judgment, for the church of Santa Cecilia in Trastevere (c. 1293). He was the first to break with the stylizations of Byzantine art; his figures have a sense of weight and three-dimensionality. Cavallini had many students,
Philippe de Champaigne
1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
Diego de Carpio
painted Christ gathering his clothes after the Flagellation in 1798






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